MC cartridge 10XA review（Stereo 2025 September）
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We are pleased to present a review of the MC cartridge 10XA, published in Stereo, issue September 2025 by ONGAKU NO TOMO SHA CORP. This article is shared with permission from ONGAKU NO TOMO SHA CORP.
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Listening to Hot New Products － Stereo Listening Room
The MC cartridge, 10X series, has been around since 1978. Within Dynavector's lineup, this series is an entry model with its recognizable red body. Over time, it has continuously evolved with innovations such as machined aluminum head blocks, powerful neodymium magnets, a unique magnetic circuit featuring a flux damper and softened magnets to suppress fluctuations in the magnetic force, a Shibata stylus Type III that has tracks grooves excellently with high-frequency response, and a hard aluminum-pipe cantilever. In addition, this new model incorporates the new developed magnetic circuit using special annealing they released in 2024. The circuit parts are made of pure iron, but this annealing has been optimized specifically for MC cartridges. As with the 10XA, there are two types: the H version with MM-level output, and the L version with typical MC-level output. For this review, we tested the 10XA-L.
Reviewer Impressions
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Expansive, Open Sound
Compared with the previously reviewed DV 20X2A, the appearance is quite different, but the sound character shares similarities, particularly its generous and expansive expression. A key difference is the 20X2A uses a micro-ridge stylus, while this cartridge employs a Shibata stylus. Despite being a low-output type, its 0.5mV output is relatively high, contributing to a lively and spirited sound. Rather than delicate nuance, its defining trait is a sense of openness and freedom. In jazz, it conveys swing and strong projection of melodic instruments, with a rich, full-bodied mid-to-low range. In string ensembles, the viola and cello lines add buoyancy to the sound. Vocals are persuasive, free from nervous tension, and sung with natural openness. (Yoshiyuki Ishida: 8pt)
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A Sound for Long, Comfortable Listening
First released in 1978, it gained popularity as a high-output MC cartridge playable in an MM input. Since then, with developments like the Shibata stylus and softened magnets, it has evolved into its present for. The highlight now is the specially annealed magnetic circuit. This model left a strong impression with vocals. For instance, Carol Kidd's voice came across as remarkably smooth and warm, very pleasing to the ear. Taj Mahal's weathered, rough voice was easy to listen to and deeply moving. Conversely the harmonicas (blues harp) overtones were somewhat restrained. This seemed to reflect the effect of the softened magnet, as well as the specially annealed magnetic circuit achieving lower distortion. In Vivaldi's Four Seasons, the midrange-focused harmonies were restrained yet enjoyable. While not flashy, it delivers a sound you can listen to comfortably for long stretches. (Kazumi Iwaide: 8pt)
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Rich Soundstage and Delicate Expression
This MC cartridge inherits the legacy of past models while introducing new innovations. A high-output version compatible with MM inputs is also available. Both versions use the Shibata stylus with excellent high-frequency response, paired with neodymium magnets for improved efficiency. It presents a rich soundstage and delicate expressiveness. Previous models were more about energy and drive, but this one emphasizes resonance and tonal refinement. In classical music, these qualities shine, while the bass carries weight though slightly sweet in character. In jazz, attack is restrained, producing a sophisticated presentation. With vocal recordings, the sound is calm and soothing, overall leaning toward a gentle sonic image. (Haruo Ushio: 7pt)
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Natural, Soft and Relaxed Sound
Dynavector's MC 20A Type 2 from 1978 is part of my collection, and its high resolution is still excellent. This time, the magnetic circuit has been refined for improved performance. Listening with the low-output 10XA-L under a 100Ω load, the impression was not one of sharp clarity, but rather subdued and calm. This restraint avoids imposing a strong character, resulting in a natural, soft, and relaxed sound regardless of program material. The mid-to-low range is full-bodied and stable, while the mid-to-highs unfold finely, though with less clarity. The specifications list a load resistance of 100Ω or higher, but in practice, I would prefer pairing it with an even higher load resistance. (Fukuda Masamitsu: 7.5)
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About the Listening Method
For the "Listening to Hot New Products" column, four reviewers each audition the product across multiple genres simultaneously and score it on a 10-point scale:
- 6 = Standard product
- 7 = Above-standard product
- 8 = Excellent product
- 9 = Outstanding product
All evaluations take price into account, and also consider design, functionality, and usability.
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Reference Equipment List
- Turntable: SME MODEL 20MKII + SME 3009R
- Phono Equalizer: Accuphase C-57
- Control Amp: Accuphase C-3900
- Power Amps: Accuphase A-300, P-7500, A-80
- Speakers: Fostex RS-2 with NW-3, Fostex G2000a
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Copyright (C) ONGAKU NO TOMO SHA CORP. September 2025
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This page contains an English translation of the review article with the approval of ONGAKU NO TOMO SHA CORP. Reproduction or redistribution of the content without permission is prohibited.